The MP143 has a smaller capsule and a subtly smaller driver. It also has no such opening on its outer face. Perhaps these details and a few others, as well as its warmer, darker and deeper tuning, may explain why the soundstage does not appear as large as in the previous model. Although it is wide and quite deep, it does not have that expansive, gaseous, extended feel of the MP145s. Its greater density, greater note weight and thickness give it a larger wall-of-sound feel, but a more restrained and tightly packed soundstage. There is a noticeable representation on all three axes, but it doesn't come across as surrounding or volatile. Separation is good, but not as transparent or obvious. Thus, detail is not as evident, nor is it as explicit. It has good representation of macro and micro detail, but not high expressivity, offering a softer, more relaxed and calm informativeness, more suitable for long, rich listening.
The image is well positioned, feeling homogeneous but well exposed. There is a good level of layering of layers, elements, instruments and notes. But that denser, darker feel can prevail in certain musical situations, detracting from nuances and a sense of multiple layers.
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The Hidizs MP143 Salt is a planar IEMS with a powerful, deep low end, a warm, subtly dark, yet smooth, secure and homogeneous profile. Within a musical naturalness, its note weight is thicker, but it possesses richness, great dynamics, as well as an organic, analogue, dense, pleasant and harmonious sound. The Hidizs MP143s are in that trend that enhances the sub-bass and attenuates the upper mids, achieving that more relaxed sound, free of sibilance, tasteful, temperate and moderate on top.
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