HIDIZS MP143 Salt Review - Ian Banzuelo

Design/Build Quality:

Like the MP145, you’ll notice that the materials and finishing are on par with it bigger sibling, which is to say, top-notch. The MP143 carries on that legacy, but with a bit of a twist—it opts for a more understated look, slightly scaled down in size yet still elegant in design.

One thing that stands out about the MP143’s design is the lack of air vents on the faceplates. This is a deliberate choice that gives the MP143 a distinct and sleeker look without the bulging design where the vent is located on the faceplate of the MP145. The design still echoes the whale skin motif, which I find particularly striking. In my version (Silver), the pattern really pops, It’s the kind of design that makes these earphones as much of an accessory as they are a piece of audio equipment.

 

Bass:

The bass on the Hidizs MP143 is where this iems endearing character shines just like its bigger sibling. There’s a decidedly obvious presence that hits with authority, particularly in the sub-bass region. The rumble is intense, creating a sense of depth that’s almost tactile, midbass in smooth warm and well textured and has the same punch and slam of its bigger sibling.

Comparing to the MP145, the bass here is more substantial, yet it doesn’t quite reach the same level of quality. The MP145 had a way of dissipating pressure through its faceplate holes, making the bass feel more expansive and probably it sheer size fo the shell contributes to the flowing low frequency it porduces. On the MP143, the bass is more concentrated and can bleed slightly into the mids, but it remains impressively controlled for a planar driver.

Sub-Bass: Deep and Resonant ( depending on the eartip you will use)

The sub-bass on the MP143 deserves special mention. It reaches convincingly low, delivering a resonant, textured rumble that you can feel as much as hear. This is particularly impressive for a planar IEM because i heard that its really hard to tune a planar driver to produce such low rumble that is akin to a dynamic driver, which traditionally most planar driver i tried struggles to replicate the depth and physicality of dynamic drivers in the sub-bass region. The MP143, however, comes close, with a sub-bass that’s heavy, mean, and thoroughly enjoyable. It’s the kind of low-end that makes you feel the music in your bones, adding a layer of visceral impact to tracks that demand it.

Mid-Bass: Clean and Controlled

Moving up to the mid-bass, the emphasis is slightly less pronounced, which helps prevent the sound from becoming muddy. The transition from sub-bass to mid-bass is handled with excellent coherance finesse, maintaining good note definition and speed. While the MP143’s mid-bass isn’t as punchy or refined as some of its competitors in the price range, it’s still a solid performer. It provides the necessary warmth and lushness to the lower midrange, enhancing the overall richness of the sound without overwhelming the other frequencies.

 

Mids:

The midrange on the Hidizs MP143 is where things start to get interesting. There’s a slight recession in this area, but it’s not enough to push vocals or instruments into the background. Instead, the mids come across as warm, rich, and slightly laid-back, with a linear style that adds a sense of coherence to the overall sound. The planar driver does a commendable job of maintaining separation and clarity, ensuring that vocals remain audible and clear even when the bass gets heavy.

the tonality and timbre is natural with lifelike vocals that reproduces the sound with emotion and vivid details particularly with the right source and tips. I found the lower midrange to be particularly pleasing, with a nice balance of warmth and weight that gives male vocals a sense of authority and presence and the female vocals with energy and clarity.

Upper-Mids:

The upper-midrange is where the MP143 starts to regain some of the sparkle lost in the lower mids. Female vocals have a juicy, well-defined quality, particularly when using the Rose Gold or Silver nozzles and wide bore tips. Instruments like acoustic guitars and violins come through with a satisfying amount of bite and shimmer, adding a touch of brightness that contrasts nicely with the warmth of the lower frequencies. The result is a midrange that feels dynamic and lively, even if it’s not the most forward or aggressive. When compared to the mp145 the mp143s upper mids has a slight brightness and sparkle that extends to the lower treble with smooth coherent transition.

 

Treble:

The treble on the Hidizs MP143 is balanced and smooth, with enough clarity and resolution to keep things interesting. It’s not a treble-heavy IEM, so treble-heads might find it a bit too laid-back for their tastes. However, for those who prefer a more balanced sound, the MP143 delivers in spades. There’s just enough sparkle and air to add a sense of openness to the sound, without making it harsh or fatiguing.

Switching to the Silver nozzle enhances the treble even further, bringing out more micro-details and adding a touch of brightness that lifts the entire sound signature. This makes the MP143 feel more refined and almost at par in performance to the MP145, though the latter still has the edge in terms of soundstage and overall definition.

 

 

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